Tuesday 20 October 2015

Digital Print Workshop 1


Digital colour modes:
  • RGB-display of colour on screen
  • CMYK-preparing for print
Where the colours overlap= new colours are created.

Process:

Cyan-yellow-magenta-black (key colour, gives us true shadows and depth of tone in areas where needed)

When we screen print we dont necessarily use the CMYK method; we just get the colour and use it.

Two different ways to apply colour in commercial print process:
  • CMYK- processed colour
  • SPOT inks/colour- a pot of ink that is the colour that you're going to print. 
Why are spot colours used?
  • They can be cheaper e.g. only two inks as opposed to four
  • Branding e.g. logos
  • Allow the accurate reproduction of colour:pantone colour reference- unique number
  • They allow for metallic/flourescent colours to be printed
Preparing for screen printing on Photoshop


Getting the Positives for screen printing
  • Selecting areas using magic wand/select similar
  • Colour range: select - colour range
  • What is previewed WHITE is what will be selected
  • Selection preview: white matt
  • Put it onto a new layer
  • Layer-new-layer via copy (cmdJ)



How do we get the proper positive? It has to be black; so the orange has  to change to black.






Quick way to do this with a transparent background:

  • lock transparent pixels
  • Edit-fill-black 
  • Do this with black as well, just to make sure it is 100% black


Printing smaller than A3
  •  Always check the image is 300 pixels per inch
  •  Image - mode - CMYK
  •  File - save as PS or TIFF file, NOT JPGS
  •  Channels: store information about colour in the image

E.g. Cyan- darker where there is more cyan ink, lighter where there is less




Channels are used to create the positives to print. 

Using Illustrator to separate inks and select our positives: 

Print- output- mode - composite- separations

 
 How can we print different amounts of an ink?

  • When we create our positives we have to create half tone screens.
  • Half tones are the way we can print different tints of one colour in one ink. 
  • Frequency and angles are to do with half tone screens; the lazer printer will create these dots during the printing process
  • Frequency = number of dots 
  • Angle = how much the grids of dots are rotated so they don't clash when printing 
  • Commercial printing: 100-250 lines per inch
  • Screen printing: much coarser half tone scren due to the threads on the screen; 50/65 lines per inch
  • Dots can also be used for aesthetic effect
  • Just two inks? Just use the top two selections.


The angles for screen printing are: 15,75,105,155
The dots are at 40 in this instance so they are visible.
How do we know which is which?
Marks and bleed option- page information 
Printing Larger than A3
Everything has to be done in Photoshop
  • Create 1 image per colour channel
  • Split channels: photoshop then creates one image per channel
  • We need to think about how we are going to do half tones; the printers cannot do this so we have to apply half tone screens to each image.
  • Image - mode - bitmap (only if image is greyscale) 
  • Bitmap: pixels can only be black or white





As long as each screen has a different angle it is ok. The bitmap has to be increased to increase quality. 

Do this to each of the positives, then go and print them.



Lazer printer: use illustrator
Inkjet printer: use photoshop




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